DJs playing R&B and Hip Hop

Born in Berkeley, California, Howard Wiley displayed a unique musical talent from a very young age, while performing at his local Gospel church. Wiley says “the first time I picked up the saxophone, it became a part of me, like an additional limb, I knew I had found my purpose.”

Wiley studied the saxophone in high school, was selected to be a member of the Grammy All-American Jazz Band two years in a row at 14 and 15 years old. He travelled to both New York and Los Angeles performing with the best young musicians in the country at various activities related to Grammy Week. The following year, he was selected to participate in the Thelonious Monk Institute of Jazz’s All-Star Band. This band of young lions studied andperformed with jazz greats including Wayne Shorter, Herbie Hancock, Gerald Albright, and many others. Wiley then received a scholarship to Berklee School of Music; where he would graduate with honors. During his time with the Institute, Howard also met and collaborated with other rising stars of Jazz in Los Angeles, including Kamasi Washington, Tony Austin, Miles Mosley and more (the collective now known as the West Coast Get Down). To this day, Howard is still a member; recording and touring with them worldwide when not working on his solo projects.

At the age of 15, he released his first CD as a leader with the local press review stating “…this CD signals the arrival of the San Francisco Bay’s newest diamond in the rough.” In 2007 Wiley released his third album, The Angola Project, comprising ensemble pieces inspired by 1950s recordings from Angola State Prison. According to Jazz critic Daniel King of the San Francisco Chronicle, “What makes Wiley’s album a great listen is his textural range, his less-is-more compositional approach and his patience as a soloist. Instead of packing notes into every bar, he places them thoughtfully into well-paced improvisations.”

Wiley’s love of jazz and arranging led him to fuse his jazz sounds with funk. Ever the soulful live musician, Howard has built a strong reputation for presenting jazz shows ‘that you can dance to’. On experiencing Wiley in a live setting, journalist Drew Foxman writes, “…he befitted a dignified presence by displaying his deep reverence for the musicians with whom he was collaborating, unmasking the persona of an unassuming leader. This is a musician who understands his sound, not only in an ensemble, but in the history of music. This humility, though, translates into downright explosiveness on the bandstand.”

Howard Wiley has toured internationally, recorded and performed with artists including Miss Lauryn Hill, Sheila E, Cory Henry, Christian McBride, Chester Thompson and more. He is a Founding member of the new Bay Area collective BLACK LONDON, who are currently performing in and around Northern California. He has performed worldwide with other artists and with his solo project at the San Francisco Jazz Festival, Playboy Jazz Festival, Monterey Jazz Festival, North Sea Jazz Fest, Blue Note Club, Madrone Art Bar, Cape Town Jazz Festival, the Grammy Museum, Yoshi’s Oakland, Malcolm X Jazz Festival, Sonoma Jazz Festival, Smalls NY and SXSW, to name a few. Recently, he was also a featured artist performing his original music for the official new APPLE iPhone commercial and global conference.

Pacho Orquesta Evolucion is a salsa band based in the East Bay formed by Pacho Carrasco in June, 2010. The group is known for their original salsa songs as well as covers of popular songs in the salsa, merengue, cumbia, and bachata genres. The band features a dynamic mix of diverse sounds, including powerful vocals and horn harmonies, combined with exciting drum rhythms.

Orquesta Evolucion has performed at events around the Bay Area, including the One World Festival, Fillmore Salsa Festival, and other major music events.

Andy Orchestra Callao is a 10 member salsa music groups based in the SF Bay Area. The group was founded in 2004 by Andy Gutierrez, a singer from Peru who performed for Band Kache and Kalichin before starting his own group.

Orquesta Callao is now a staple in the Bay Area salsa music scene, playing regularly in venues around the Bay Area including GlasKat, Roccapulco, and Cafe Cocomo as well as at festivals such as the Fillmore Salsa Festival. 

Orquesta Timbalero was founded in 2003 by timbal player Richard Martinez.  Richard started playing salsa music in the 1970’s with Orquesta Fango and was one of the musicians who started the salsa scene in San Jose.  Back then it was a challenge as salsa was mainly played in the San Francisco Area.  As you can see now, the salsa scene has come a long way since then.  After moving from San Jose to Modesto, Richard founded Orquesta Timbalero and has played and performed with known artist as Pete Escovedo, Mario Flores Latin Jazz performing in the first Salsa Festival in Modesto.  Since then, Orquesta Timbalero has been playing all over the Bay Area with its unique repertoire of hard salsa or “Salsa Dura” with some of the Bay Area’s best musicians and vocalists. 

Orquesta Timbalero members are:

Richard Martinez- Timbales/Band leader, Joe Ruelas- Congas, Frankie Valentin- Bongos, Rolph Johnson- Trumpet, Lorenzo Perez- Trumpet, Kenny Williams- Trombone, Anthony del Barrio- Piano, Charlie Montoya- Bass/vocals, Carlos Ramirez- Bass/vocals, Luis Argueta- Lead vocals/hand percussion, Nestor Guzman-Lead vocals

June 22 - 23, 2024
1 & 2 Day Camping Event

Saturday lineup:
Gates open on Saturday at 10 AM
11:00 to 12:30 - Eric London Band
1:00 to 2:30 - Riley Hill and The Band New Still
3:00 - 4:00 - Peter Van Gelder sitar
4:30 - 6:00 - Rattlebox with Lorin Rowan
7:00 to 10:00 - David Nelson Band

Sunday lineup:
Gates open on Sunday at 10 AM
11:00 to 12:00 Eric London Band
12:30 to 2:00 Riley Hill & The Band New Still
2:30 to 3:30 - Rattlebox with Lorin Rowan
4:00 - 7:00 - David Nelson Band
7:30 to 10:30 - Tumbleweed Soul with Greg Anton

Welcome to the David Nelson Summer Solstice Campout Weekend.  Make sure to get your tickets purchased early, as tickets go fast.

Lots of space to roam freely with friends. Hiking trails, Swimming for the kids at the Pool with adults present. Arts & Crafts for kids in the Corral Stage Area. No campfires or cooking. There is food and drinks for purchase. We have contained wood burning metal fireplaces & propane heaters.

Bring: flashlights & camping gear, hiking boots, swimsuits & beach towels, low back chairs, pop ups ok. We have warm summer nights, but bring warm clothes for night time, temps just in case. Free spring water on tap, so bring your water bottles to fill up fresh water from our spring. 

There will be catered food, breakfast choices, lunch & dinner, popsicles, tea, coffee, beverages, beer, water, & soft drinks for purchase. 
Wine Tasting with Two Free Wine tasting tickets per adult, per day. Our wine & olive oil are for purchase. Free Wine Poster at our merch table. Dog are ok as long as the owners can take responsibility for their dogs and keep them leashed. 

There is Free camping available for all Tent & Auto Camping, There is a fee for RV Parking and the RV Campsites are limited. Best to load in on Friday to get the best spots. Here at Le Vin Winery, we have 4 campground areas. Tent Camping at Bucks Corral. Parking, Tent, & Auto Camping in the Fox Grove. RV Camping in the Oak Grove. 
Extreme camping with 4WD only at Eagles Camp.

ACCOMMODATIONS if you prefer not to camp, there are other accomodations available in Geyserville, only 20 minutes away.

GEYSERVILLE INN, I have a block of rooms at a discount that you can get. You need to mention HERMITAGE
There are 7 weddings nearby and so I have gotten a Limited Discount Block of Reservations:

GEYSERVILLE INN
Only King Rooms left $215.20
Book through Crystal Valtierra <[email protected]>  Call her (707) 857-4343 ext. 3
For HERMITAGE group discount
Rooms are going fast. You really need to book asap.
Deadline Date to get into HERMITAGE GROUP DISCOUNT is April 26th.

ISIS OASIS for Reservations Call 707-857-4747
6  private bedrooms in Lodge, queen bed, shared baths in hall   $112. a night
3  private bedrooms in Lodge, queen bed and a twin bed, shared baths in hall $134 a night
Dormitory sleeping, $65 per person, twin cot bed, 3 queen beds
Retreat House, 13 beds,  $900 per night. This is the one that I may separately rent the three enclosed bedrooms and the two five-bed dorm-type spaces.
In a pinch there is also a queen size couch bed.
2 Cob Huts - sleeps two, $120 ea per night
Pets on approval/$10 fee.

INFO FOR ISIS OASIS:
Address: 20889 Geyserville Ave, Geyserville, CA 95441
Reservation Office Hours: Call Thursday thru Sunday between 2 to 8 pm.  Otherwise leave a message for a call back. 707-857-4747 
My DIRECT Contact person at ISIS OASIS deTraci Regula, cell 619-632-2064 
Accommodations available in Geyserville, only 20 minutes away. Reservations at Isis Oasis Sanctuary in Geyserville, where the Grateful Dead recorded 2 albums in their Grand Hall, Terrapin Station and Shakedown Street. Jerry Garcia loved coming here. Pet Friendly, dogs must be on leash, on the grounds, and you must take your dog with you when you leave for the day. Do not leave your dog in your room. Swimming Pool & Jacuzzi, Peacful & Beautiful grounds. Get more info when calling to reserve rooms. 

Cabernet Cabin at ISIS OASIS is available for Sunday June 23rd only, King Bed and Single Bed, is available and reserved for DNB Concert.
Deadline: Reserved until June 13th, then I cancel the reservation if no one purchases it.
Call Holly Harman to reserve The Cabernet Cabin only 707-494-0314

BEST WESTERN in Healdsburg
Deadline: Reserved until June 19th, then I cancel the reservation if no one purchases it.
I have one reservation left for Sat. & Sun night.
$352.12 Sat and $195.80 Sunday 
Reserve through  Holly Harman 707-494-0314

Music in the Park in San Jose's Plaza de César Chávez is the city's premier music series. Over its 35-year history, artists who have performed at Music in the Park include Maroon 5, Billy Preston, Cold War Kids, Cuco, Neon Trees, Better Than Ezra, Brandi Carlile, Toots and Maytalls, Cracker, Flock of Seagulls, Smash Mouth, WAR, Los Lobos and Third Eye Blind.

As frontman and driving force behind the iconic band El Tri, Alex Lora is a legendary figure in Mexican rock & roll. El Tri concerts are renown for their electrifying energy, passionate performances and undeniable connection between band and audience.

With a career spanning more than five decades, Lora has solidified his status as a pioneer of rock en español. His distinctive voice, energetic stage presence and poignant songwriting have earned him a devoted following throughout the Americas.

El Tri's music is characterized by its fusion of rock, blues and traditional Mexican sounds, coupled with Lora's socially conscious lyrics, often addressing political and cultural issues. Hits like “Triste Canción de Amor,” “Las Piedras Rodantes” and “Pobre Soñador” have become anthems for generations of fans.

Setlists often include fan favorites, sing-along anthems and deep archival selections, ensuring that each concert is a memorable experience for both longtime fans and concertgoers experiencing EL Tri for the first time.

Beyond his musical contributions, Lora is also known for his outspoken advocacy of social justice causes. His authenticity and unwavering commitment to his art have cemented his legacy as one of the most influential figures in Mexican rock history.

El Tri’s discography boasts more than 50 albums and a live performance legacy that continues to captivate audiences worldwide, Alex Lora and El Tri remain a cultural institution, inspiring generations of musicians and fans alike.

Como líder e impulsor de la icónica banda El Tri, Alex Lora es una figura legendaria del rock & roll mexicano. Los conciertos de El Tri son reconocidos por su energía electrizante, actuaciones apasionadas y una conexión innegable entre la banda y el público.

Con una carrera que abarca más de cinco décadas, Lora ha solidificado su estatus como pionero del rock en español. Su voz distintiva, su enérgica presencia escénica y su conmovedora composición le han granjeado seguidores devotos en todo el continente americano.

La música de El Tri se caracteriza por su fusión de rock, blues y sonidos tradicionales mexicanos, junto con las letras socialmente conscientes de Lora, que a menudo abordan temas políticos y culturales. Éxitos como “Triste Canción de Amor”, “Las Piedras Rodantes” y “Pobre Soñador” se han convertido en himnos para generaciones de fanáticos.

Las listas de canciones a menudo incluyen los favoritos de los fanáticos, himnos para cantar y profundas selecciones de archivo, lo que garantiza que cada concierto sea una experiencia memorable tanto para los fanáticos de toda la vida como para los asistentes que experimentan EL Tri por primera vez.

Más allá de sus contribuciones musicales, Lora también es conocida por su abierta defensa de las causas de la justicia social. Su autenticidad y compromiso inquebrantable con su arte han cimentado su legado como una de las figuras más influyentes en la historia del rock mexicano.

La discografía de El Tri cuenta con más de 50 álbumes y un legado de presentaciones en vivo que continúa cautivando al público en todo el mundo. Alex Lora y El Tri siguen siendo una institución cultural que inspira a generaciones de músicos y fanáticos por igual.

Salsa superstars Los Van Van are called “the Rolling Stones of Cuba” due to their longevity and status as Cuba’s most popular band. Their sound and style, however, is distinctively their own.

This is a rare San Jose appearance of these Havana-based musical pioneers. Music in the Park is pleased to present one of contemporary Cuban music’s most important and influential bands for an outdoor dance party that will be one of the summer of 2024’s musical highlights.

About Los Van Van

Their name, “let’s go go,” harks back to the go-go music era. Founded in 1970 by the late Juan Formell, they quickly became the island's favorite dance band, a title they held for years. The a genre-creating sound has evolved over the decades and incorporated the contributions of new generations of musicians that joined the hard working international touring group. Today, drummer and musical director Samuel Formell, Juan’s son, leads the band referred to as the “train” of Cuban music.

At the forefront of Afro-Cuban fusion of rock & roll and son, Los Van Van introduced electronic instruments into Cuban music in its early days and is credited with forging and popularizing subgenres “timba” and “songo,” foundations of the modern Cuban sound. The "songo" style can now be heard throughout the Latin jazz, pop,and fusion world.

In the 1990s, building on folkloric and traditional music mixed with the music of the day, Los Van Van, along with Irakere and NG La Banda, championed a new Cuban sound. In the 2000s, Los Van Van pushed the fusion even further, mixing pop, funk, rock, hip hop and soul with native traditions that hark back to Africa and took life in the sugar fields of the Caribbean. The band won a Grammy Award in 2000 for its album “Llegó Van Van.”

Los Van Van has captivated audiences throughout Europe, South America and the Caribbean. The continuing US embargo brings them stateside less frequently, but when their irrepressible rhythms make their way here, it’s a reason to celebrate—and dance.

As The Beach Boys mark more than a half century of making music, the group continues to ride the crest of a wave unequalled in America’s musical history. The Beach Boys—who have become synonymous with the California lifestyle and an American icon, are bringing their “Endless Summer Gold” tour to fans around the world. 

Since the band’s co-founder, lead-singer and chief lyricist Mike Love penned the lyrics to The Beach Boys’ first hit, “Surfin’” (1961), dozens of the bands chart toppers have become eternal anthems of American youth: “Surfin’ USA,” “Surfer Girl,” “Fun, Fun, Fun,” “I Get Around,” “California Girls,” “Help Me Rhonda,” “Barbara Ann,” “Good Vibrations,” “Wouldn’t It Be Nice,” “Rock and Roll Music” and “Kokomo.” 

The Beach Boys have sold over 100 million records worldwide and have received more than 33 RIAA Platinum and Gold record awards. The Rock And Roll Hall of Famers where also honored at the 2001 Grammy Awards with the Lifetime Achievement Award. With more than five decades of touring under their belts, The Beach Boys have performed more concerts than any major rock band in history. 

Sounds Of Summer: The Very Best Of The Beach Boys, Capitol/EMI's 30-track collection of the band's biggest hits, has achieved triple- platinum success with sales of more than three million copies in the U.S. since its release. 

The Beach Boys are led by Mike Love, who, along with longtime member Bruce Johnston, musical director Brian Eichenberger, Christian Love, Tim Bonhomme, Jon Bolton, Keith Hubacher, Randy Leago and John Wedemeyer continue the legacy of the iconic band. 

Bearing witness to the accelerating negativity of global affairs, Steel Pulse emerges with musical vengeance to halt the disarray of humanity. The bands twelfth studio production, titled Mass Manipulation, reflects four decades committed to bettering mankind through music. 

Steel Pulse continues to be revolutionary in engaging controversial topics of racial injustice and human rights on a global scale. Their musical stance and conceptualizations are as potent and relevant today as they were at the beginning of their career. The album's uniquely thematic approach provokes thought as it presses forward, toward humanities unification. A manipulation of our minds has been influenced by a New World Order currently dominating humankind. Steel Pulse reappears at a fated moment, armed with compassion, encouraging all people to reject false ideals, set higher goals, and demand more from themselves to further this unification.

Lead singer and guitarist, David Hinds' creativity, human persona, and visionary views are revealed through inspiring compositions that capture the effects of the African Diaspora. These songs weave and interlock with each other, enticing all to stand together and unite.

The album begins with a continuation of past struggles in attaining freedom. From the opening song, "Rize," one can hear, feel, and be uplifted through urgency established in its cadence. This urgency compels participation in the Windrush generation's cause to rise against evil and controlling forces. Ancient melodies paired with catchy lyrics in "Stop You Coming and Come" transport the mind to a period of time where secrets of an African dynasty are unmasked. "Thank The Rebels" follows as a classic Steel Pulse anthem with powerful messages of awareness and inspiration. From the opening trumpet call, Hinds picks up the torch of wisdom, rallying humanity toward great aspirations. In "Justice in Jena," rolling drums and repeated chorus structure highlight the hatred and racial intolerance that persists, despite the notion that society has progressed into a post-racial world. Haunting organs and eerie guitar interplay in "Human Trafficking" emulate the atrocities of this underground world, while desperate drumming and frantic horns bolster an emotional plea to admonish this horror.

Mass Manipulation evolves and sets to navigate the political transformation of changing social and economic environments. Impassioned vocals convey the pain and suffering experienced throughout "Cry Cry Blood." This song features blistering horns to help settle the nerves and uneasiness felt. "No Satan Side" follows with its intoxicating tempo, rhythmic chanting, and riveting lyrics, defining the African Diaspora with redemption cries for, "Rastafari and live." "N.A.T.T.Y (Natural And True To Yourself)" explodes with syncopated drumming and purposeful bass to unburden the soul. It is here where we find Hinds at his most personal and reflective state. The album's title track, "Mass Manipulation," positions exploding horns to drive home its warning, bursting the corporate glass which would serve to protect the deceitful and corrupt. In "World Gone Mad," a jolting rap broadcasts the horrifying consequences of madness. Ensnaring drums and seducing bass encapture those evil and controlling powers embodied in "Black and White Oppressors," while defiant lyrics, weaponized with energetic horns, serve to penetrate Babylon's evil and systematic ways.

The album comes full circle as Steel Pulse's legendary musical abilities aim to achieve a greater community for all. The promise of mankind's salvation is prominently positioned with vocals offered to still calm in "The Final Call." Stunning harmonica jousts invoke inward reflection and set free courage to conquer. "Higher Love (Rasta Love)," a beautiful Hinds reggae reinterpretation of Steve Winwood's "Higher Love," exudes charisma and energy hailing for love across humanity. The album crowns with "Nations of the World." Stabilizing lyrics, enforced by a commanding rhythm, beg freedom fighters, leaders, and citizens from all nations to come together in peace.

In the midst of today's strife and turmoil, Mass Manipulation is Steel Pulse's indispensable musical gift, as their forty year legacy continues to define the magnificent power and beauty of reggae music. As reggae revolutionaries, Steel Pulse is revered by the younger generation of artists and remains a powerhouse on stages around the globe. Through the example of Mass Manipulation, Steel Pulse demonstrates the endless possibilities that come from breaking down the walls of systemic greed and nurturing the fellowship of mankind.

Fusing a West Coast sound with his Polynesian roots, Southern California musician J Boog brings Pacific Island influences to Caribbean reggae roots music.  

Jerry “J Boog” Afemata was born in Long Beach and was raised in Compton, California. Steeped in Samoan culture and as the son of a Samoan chief, J Boog is the youngest of seven brothers—and one sister who was one of his earliest musical influences.  He sang along to her piano when she brought home a Bob Marley songbook.  Other siblings introduced him to rap and R&B, which allowed J Boog a sense of freedom to be himself.  The variety of influences combined with reggae’s feel good sound set J Boog on a path to create his own distinctive sound.

HIs 2011 breakthrough album “Backyard Boogie” topped the US Billboard and iTunes charts in numerous countries.  Hits included “Let’s Do It Again”, produced by legendary Don Corleon, and “Sunshine Girl”, produced by Gramps Morgan/Dada-son.   Backyard Boogie’s success earned J Boog the Best New Entertainer Award at the 2012 International Reggae and World Music Awards held in Chicago.

J Boog tours worldwide to enthusiastic audiences. This will be his fourth appearance at San Jose’s Music in the Park, where he continues to draw record numbers at shows that are among the musical highlights of the year.